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Gotham: A Blog for Scholars of New York City History

 
Gotham
Tell Her Story: An Interview with LaShawn Harris

Tell Her Story: Eleanor Bumpurs & The Police Killing That Galvanized New York City

Interviewed By Emily Brooks

The Eleanor Bumpurs story is one of those hard histories. Parts of her story include scenes of personal disappointments, economic struggles, maternal loss, and ultimately state violence. As I was writing the book, I continuously told myself that it was my responsibility to tell this complicated story with nuance and compassion and care. Presenting a nuanced perspective on Eleanor’s life and killing created space for me to offer a full biography, to tell broader stories about 1980s New York City, and to shed light on late-twentieth-century Black women’s socioeconomic and political lives. Moreover, telling hard histories presents the opportunity to draw important lessons and insights from the past and place contemporary moments within historical context.

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Henry H. Sapoznik: The Tourist's Guide to Lost Yiddish New York City

Henry H. Sapoznik: The Tourist's Guide to Lost Yiddish New York City

Interviewed by Rob Snyder

The Tourist's Guide to Lost Yiddish New York City offers a new look at over a century of New York's history of Yiddish popular culture. Henry H. Sapoznik — a Peabody Award-winning coproducer of NPR's Yiddish Radio Project — tells the story in over a baker's dozen chapters on theater, music, architecture, crime, Blacks and Jews, restaurants, real estate, and journalism.

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Jeffrey O.G. Ogbar (ed.), Black Movement: African American Urban History Since the Great Migration

Jeffrey O.G. Ogbar (ed.), Black Movement: African American Urban History Since the Great Migration

Reviewed by Zariyah Grant

Black Movement: African American Urban History since the Great Migration, edited by Jeffrey O. G. Ogbar, is an ambitious collection that asks: What has happened to Black urban communities since the end of the Great Migration? Historians have yet to write this history, and Ogbar enlists an impressive array of scholars to begin this bold endeavour. […] Hovering over this inquiry are the paradoxes of the Civil Rights Movement: its victories enabled the ascent of a Black middle class, while the Black poor continued to bear the brunt of the assault on the welfare state.

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The Art of Blackwell's Island

The Art of Blackwell's Island

By Kristen Osborne-Bartucca

Hopper’s second work depicting the island, Blackwell’s Island (1928), is stark and unsettling, related mostly in title to the 1911 piece. […] The river, a bright cerulean blue, occupies the bottom half of the canvas, and the top half consists of pale blue sky and odd clouds receding into the distance. All of the infamous institutions on the island are there, but by now had almost ceased operating. Hopper paints them as flattened, simplified, and lit brilliantly by the sun. Like most of his works, there is something slightly off about the scene — it is too quiet, too placid. Though the buildings are banal, Hopper suggests that there is something ominous that occurred within their walls.

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Contributions Have Poured in from All Classes, from All Sects: New York City and Great Hunger in Ireland

Contributions Have Poured in from All Classes, from All Sects: New York City and Great Hunger in Ireland

By Harvey Strum

In 1847, New Yorkers of all religious denominations donated first to Irish, and second to Scottish relief efforts as part of a national movement of American philanthropy. It was during this moment that the United States emerged as the leader in voluntary international philanthropy. Commenting on the remarkable ecumenical convergence of relief efforts, New York’s mayor, Philip Hone wrote in his diary, “The Catholic Churches have given nobly, and every denomination of Christians has assisted liberally in the good work: Episcopalians, Presbyterians, Methodists, Baptists, and Romanists are all united in the brotherhood of charity.”

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Men at Work: A New Look at the Central Park Gates

Men at Work: A New Look at the Central Park Gates

By Sara Cedar Miller

Pass through any of Central Park's twenty original entrances today (Figure 1), and you're walking through spaces defined more by absence than presence. These "gates" are really just gaps in the perimeter wall, full of intention never realized — invisible stories of artistic talent, social connection, and personal ambition in antebellum New York. Like the carefully framed views created by Central Park’s designers Frederick Law Olmsted and Calvert Vaux, they offer at its threshold a glimpse into unseen forces that shaped America's first great public space.

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Melting Metropolis: An Interview with Daniel Cumming and Kara Murphy Schlichting

Melting Metropolis: An Interview with Daniel Cumming and Kara Murphy Schlichting

Interviewed By Rachel Pitkin

Public archives help create a record that highlights, or at least can suggest, the varied experiences of summer heat, even if one must learn to “read” the images with a critical eye. And while the archive itself is inherently selective — not everyone can or will upload their images of summer, of course — visual records that cross all five boroughs and span multiple generations reveal a rich tapestry of New York City life over many summer seasons.

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Tom Arnold Foster: Walter Lippmann: An Intellectual Biography

Arnold Foster: Walter Lippman: An Intellectual Biography

Interviewed by Rob Snyder

From the years before World War I until the late 1960s, the journalist and political theorist Walter Lippmann was one of the most influential writers in the United States of America. His words and ideas had a powerful impact on American liberalism and his writings on the media, particularly on stereotyping and journalistic objectivity, are still taught today. Lippmann is now the subject of Tom Arnold-Forster’s Walter Lippmann: An Intellectual Biography, published by Princeton University Press. Arnold-Forster explores Lippmann in his evolving historical context, from the Progressive Era to the Cold War. He argues that Lippmann was a much more complicated thinker than is usually recognized who went from being a liberal socialist to a conservative liberal.

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Operation Sail 1976: How New York City Came Together in a Time of Crisis

Operation Sail 1976: How New York City Came Together in a Time of Crisis

By Angelina Lambros

The On July 4, 1976, New York City celebrated the Bicentennial of American independence with a parade of ships that began at the Verrazano Narrows Bridge and moved up the Hudson River. Officially titled “Operation Sail,” more than 200 ships gathered for the event. With more than six million spectators, it became the largest crowd in New York City’s history. For America's largest city where people regularly turned out for special events, Operation Sail proved truly exceptional.

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Alyssa Lopez, Reel Freedom: Black Film Culture in Early Twentieth Century New York City

Reel Freedom: Black Film Culture in Early Twentieth Century New York City

Review By Deena Ecker

Reel Freedom challenges the reader to think beyond the Harlem Renaissance and place film, an important piece of leisure in the 1920s and ‘30s, at the center of the Black cultural and intellectual transformation in New York and the nation. While much of the book focuses on the theaters in Harlem, Lopez reminds us that in the first decade of the 20th century, there were pockets of Black life all over the city. The ways that Black moviegoers, critics, projectionists, and producers engaged with film demonstrated a claim to physical, intellectual, and cultural space in early-twentieth-century New York. In real and significant ways, these claims to space were part of the larger Black struggle for equality.

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