Oaths and Interracial Solidarity: New York City’s 1741 Plot
By Kevin Murphy
In early 1741, an investigation into a robbery in Manhattan led to rumors of an interracial plot to destroy the city. Local officials tracked stolen coins and other items to John Hughson, a tavern-keeper known for serving enslaved people. Authorities were already concerned about illicit rendezvouses among slaves, soldiers, and poor whites; their suspicions spiked, however, when a series of unexplained fires started at Fort George and then at various places across the city. Mary Burton, the Hughson’s sixteen-year-old “Irish servant girl,” came forward to implicate her “master” and his customers, painting a vivid picture of impending mayhem.
Taking Manhattan: The Extraordinary Events That Created New York and Shaped America
Review By Dillon L. Streifeneder
That the English took New Netherland from the Dutch in 1664 is well known. Why the English seized the Dutch colony, along with the circumstances of how they managed to achieve their conquest, however, remain largely forgotten to all but a small number of professional historians and archivists. Russell Shorto’s Taking Manhattan: The Extraordinary Events That Created New York and Shaped America, in what is surely the most comprehensive and accessible account of the English conquest, is therefore a welcome addition to scholarship on New York’s Dutch period and well-worth the read.
New York Sari: An Interview with Curator Salonee Bhaman
Interviewed By Dominique Jean-Louis
Our social, material, and emotional worlds are shaped by history that is often far more complicated and varied than what we’re likely to learn in a classroom. I hope that people come away from this exhibition with a curiosity to learn more about how and why the things they love in this city — be it a beautiful and colorful fabric or a funky groove, or a tasty and transcendent meal — got to where they are and then follow that curiosity to learn more about the people that brought that thing, or food, or color palate into their lives. New York is a city of immigrants. It has been for a very long time. The themes of displacement, segregation, and persecution that often suffuse our stories of migration come to exist alongside a different set of narratives in this place: stories of community forged across differences of culture and experience.
Henry H. Sapoznik: The Tourist's Guide to Lost Yiddish New York City
Interviewed by Rob Snyder
The Tourist's Guide to Lost Yiddish New York City offers a new look at over a century of New York's history of Yiddish popular culture. Henry H. Sapoznik — a Peabody Award-winning coproducer of NPR's Yiddish Radio Project — tells the story in over a baker's dozen chapters on theater, music, architecture, crime, Blacks and Jews, restaurants, real estate, and journalism.
Contributions Have Poured in from All Classes, from All Sects: New York City and Great Hunger in Ireland
By Harvey Strum
In 1847, New Yorkers of all religious denominations donated first to Irish, and second to Scottish relief efforts as part of a national movement of American philanthropy. It was during this moment that the United States emerged as the leader in voluntary international philanthropy. Commenting on the remarkable ecumenical convergence of relief efforts, New York’s mayor, Philip Hone wrote in his diary, “The Catholic Churches have given nobly, and every denomination of Christians has assisted liberally in the good work: Episcopalians, Presbyterians, Methodists, Baptists, and Romanists are all united in the brotherhood of charity.”
Pass through any of Central Park's twenty original entrances today (Figure 1), and you're walking through spaces defined more by absence than presence. These "gates" are really just gaps in the perimeter wall, full of intention never realized — invisible stories of artistic talent, social connection, and personal ambition in antebellum New York. Like the carefully framed views created by Central Park’s designers Frederick Law Olmsted and Calvert Vaux, they offer at its threshold a glimpse into unseen forces that shaped America's first great public space.
Arnold Foster: Walter Lippman: An Intellectual Biography
Interviewed by Rob Snyder
From the years before World War I until the late 1960s, the journalist and political theorist Walter Lippmann was one of the most influential writers in the United States of America. His words and ideas had a powerful impact on American liberalism and his writings on the media, particularly on stereotyping and journalistic objectivity, are still taught today. Lippmann is now the subject of Tom Arnold-Forster’s Walter Lippmann: An Intellectual Biography, published by Princeton University Press. Arnold-Forster explores Lippmann in his evolving historical context, from the Progressive Era to the Cold War. He argues that Lippmann was a much more complicated thinker than is usually recognized who went from being a liberal socialist to a conservative liberal.
Operation Sail 1976: How New York City Came Together in a Time of Crisis
By Angelina Lambros
The On July 4, 1976, New York City celebrated the Bicentennial of American independence with a parade of ships that began at the Verrazano Narrows Bridge and moved up the Hudson River. Officially titled “Operation Sail,” more than 200 ships gathered for the event. With more than six million spectators, it became the largest crowd in New York City’s history. For America's largest city where people regularly turned out for special events, Operation Sail proved truly exceptional.
Reel Freedom: Black Film Culture in Early Twentieth Century New York City
Review By Deena Ecker
Reel Freedom challenges the reader to think beyond the Harlem Renaissance and place film, an important piece of leisure in the 1920s and ‘30s, at the center of the Black cultural and intellectual transformation in New York and the nation. While much of the book focuses on the theaters in Harlem, Lopez reminds us that in the first decade of the 20th century, there were pockets of Black life all over the city. The ways that Black moviegoers, critics, projectionists, and producers engaged with film demonstrated a claim to physical, intellectual, and cultural space in early-twentieth-century New York. In real and significant ways, these claims to space were part of the larger Black struggle for equality.
The 1960s brought sweeping changes throughout America, and this included changes to women’s education. The Civil Rights Movement provoked a reassessment of the role of women in society. Many universities were reaching the conclusion that they could not, and should not, remain the restricted domains of male education. […] When Hunter College and Marymount Manhattan College became coeducational, Finch found itself competing with Barnard for the women-only market in the city.
