Illustrating Your Ride: Fred Cooper and The Subway Sun
By Es-pranza Humphrey
When the Interborough Rapid Transit Company opened to the public in 1904, there was an active effort to beautify the underground stations and its metal vessels in order to ease the anxieties of riders who were hesitant to travel throughout the unknown. The initiative to beautify included the presence of a variety of posters presenting transportation etiquette and advertising products and services as a way to capitalize on the fact that passengers spent an average of fifteen minutes in a train car during their commute. Among the advertisements for Viceroy Cork Tipped Cigarettes, Rheingold Lager Beer, and Heinz Cream of Tomato Soup, were a series of in-car posters that helped riders navigate the subway to visit some of New York City’s most scenic wonders. This series was called The Subway Sun.
The Secret Man Behind the World’s Most Visible Building
By Jason M. Barr and Ann Berman
And yet almost all the stories about the origins of this New York landmark [the Empire State Building], online and in print, are inaccurate. They all omit the pivotal, behind-the-scenes role played by Louis Graveraet Kaufman (LGK) (1870-1942), the secret schemer, without whom the Empire State Building would not have been built. LGK’s hidden machinations irrevocably changed Gotham — and world — history, yet few today know his name.
From 1949 until his death in 1997, Murray Kempton was a distinct presence in New York City journalism. Peddling around town on a three-speed bicycle wearing a three-piece suit, he wrote about everything from politics to jazz to the Mafia. His writing was eloquent, his perspective unique, and his moral judgements driven by a profound sympathy for losers, dissenters and underdogs. […] Going Around: Selected Journalism / Murray Kempton (Seven Stories Press, 2025), edited by Andrew Holter, brings Kempton’s work to old admirers and a new generation of readers.
The Era Was Lost: The Rise and Fall of New York City’s Rank and File Rebels
Review By Benjamin Serby
Dyer laments that “a politically self-aware working class” no longer exists anywhere in the United States, including New York City. It would seem that until something profoundly shifts in our political culture, workers will simply defend what they already have rather than push for more. With longstanding institutional, legal, and economic arrangements in nothing short of crisis, perhaps this is the moment when the wheel of history — stalled fifty years ago — finally begins to turn once more.
Davida Siwisa James: Hamilton Heights and Sugar Hill
Interviewed by Rob Snyder
Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton’s Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill.
Which Way to the Promised Land? Mabel Lee at the Intersection of Gender and Race
By Mimi Yang
Oppressed people across cultures embrace the Exodus narrative, in which Moses delivers the Israelites from slavery, as a source of hope and strength. “The Promised Land” has become more than a physical locale for modern-day seekers; it represents a cultural and spiritual sphere that offers freedom, equality, and fulfillment. Mabel Ping Hua Lee (李彬华1896 – 1966), a Chinese feminist whose work and commitment was on par with her contemporary suffragists, also sought the Promised Land — a place for a better life and dreams for happiness and fulfillment. New York City entered Lee’s life as the gate, the world, and the destiny of her Promised Land. Intriguingly, her feminism and dedication to securing the universal right to vote originated from a seemingly distant cultural background.
I chose to investigate Central Park mostly because its architecture and architects heavily influenced other parks across the US. My choice of Central Park was also motivated by my experience growing up in upstate New York. I was concerned about the relationship between New York City and its suburban and rural hinterlands – both the cultural meanings of city and countryside, and how the city exploited more land, water, plant and animal life, and human labor as it grew.
Sadly, Judy did not grow older and develop into a more culturally significant and financially stable feminist voice. The goal was original: these women were familiar with the gendered expectations of the many periodicals where they regularly published – from radical magazines like the Masses to the conventional Ladies’ Home Journal. Although there were influential women editors at the time (Harriet Monroe, Margaret Anderson, Jane Heap, to name a few), no other publication promised to disrupt the status quo in order to present the candid perspective of women. Even if Judy did not have long-term success, the youthful ambition of these women led them to a variety of creative accomplishments and careers in film, radio, the visual arts, journalism, and literature; these media provided other venues for them to privilege the perspective of women.
Reading from Left to Left: Radical Bookstores in NYC, 1930-2000s
By Shannon O’Neill
As pivotal spaces for leftists to strategize and engage one another, political party bookstores were key in supporting the labor movement, pushing for racial equality, working on behalf of revolutionary freedom fighters, and participating in global solidarity and struggle. In doing so, they created the space for their customers to not only radically reimagine their worlds, but to participate in activating their radical imaginations.
In Walking East Harlem: A Neighborhood Experience, published by Rutgers University Press, historian Christopher Bell introduces readers and walkers to places and people. Organized around three tours, Walking East Harlem takes in churches, mosques, and synagogues; old theaters and new murals; the homes of artists and activists; and the recent pressures of gentrification.
