“Our Brooklyn Correspondent”: William J. Wilson Writes the City
By Britt Rusert
William J. Wilson may very well have been New York’s first Black culture critic. A self-stylized flâneur, cultural aesthete, and frequent contributor to Black periodicals throughout the 1840s and 50s, he wrote under the name “Ethiop” and as “Brooklyn Correspondent” for Frederick Douglass’ Paper. In these columns, he provided readers across the nation with on-the-ground reports of New York’s people, places, and happenings based on his frequent “ramblings” around the city. Wilson was particularly interested in the sights and sounds of Broadway as it emerged as a hub of culture, entertainment, and conspicuous consumption in the middle of the century. Wilson would make his own contribution to the city’s cultural scene in 1859 with his publication of the Afric-American Picture Gallery, an experimental text that imagines the first museum of Black Art in the United States
Born in New York City in 1815, she [Emma Stebbins] was one of the most famous and applauded American sculptors in 1863 when she got the commission for the fountain, the first woman to be commissioned for a public artwork in New York City. But after the inauguration she retired from artistic activity and was soon forgotten. When Emma died in 1882, the New York Times did not dedicate an obituary to her, or even a news item. Only in 2019 it published an article on her for its “Overlooked” series: a posthumous tribute, atoning for the newspaper’s silence on such a remarkable artist.
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront
Review By Tom Greenland
Professor Cisco Bradley’s book, The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, is product of a decade-long investigation into the creative music scene(s) hovering around Brooklyn’s Williamsburg neighborhood from 1988 to 2014, documenting its ostensible rise and fall. The narrative pits struggling DIY artists against the 2005 rezoning and consequent gentrification that brought economic sea changes on the area, a battle between art and capitalism, with capitalism the clear victor.
Sarah Smith Tompkins Garnet: A Most Remarkable Suffragist
By Susan Goodier
Black women did not need white women to patronize, direct, organize, or financially support their efforts. They already had quite a few active suffragists, and several prominent leaders, including Sarah Garnet, and at least one organization in the city dedicated to women’s suffrage. In fact, virtually every Black women organization, established for whatever purpose—anti-lynching, racial uplift, integrated education, temperance—also supported women’s suffrage. It is the universality and intersectionality of Black women’s vision of equality and rights for women—as opposed to exclusion and limitation—that differentiates their suffrage activism from that of many white women’s organizations of the period.
Streets in Play: The Playstreets Photography of Katrina Thomas
By Rebekah Burgess and Mariana Mogilevich
Photographs of recreation programs like this one were commissioned to offer visual proof that, after four summers of nation-wide protest and violence, starting in Harlem and Bedford-Stuyvesant in 1964, the city was compensating for a long-term lack of investment in low-income, racially segregated neighborhoods…. A few of Thomas’ images were utilized for official purposes, reproduced in pamphlets to attract or to thank program sponsors, but her exceptional eye transcended the municipal task. Her lens recorded the city's sponsored activities as well as the more candid action at the edge of the frame. These captivating, impromptu images provide a rare perspective on a distressed urban landscape, privileging a child’s-eye view of the possibilities for play and delight.
Shirley Chisholm: Champion of Black Feminist Power Politics
Review by Michael Woodsworth
Chisholm entered Congress as a vocal opponent of the Vietnam War, a staunch defender of the Great Society, an advocate of expanded welfare benefits, and an unapologetic feminist. Despite her reputation as a “fiery idealist,” Curwood argues, she was also “ruthlessly pragmatic.” Chisholm was a coalition builder: she helped to found the Congressional Black Caucus as well as the National Women’s Political Caucus…. The 1972 presidential primary run remains Chisholm’s signature moment.… Chisholm may have been a transformational figure, but, as Curwood shows, she was also a product of her times. Her rise, accomplishments, and setbacks match, almost too perfectly, the arc of 20th-century American liberalism.
A Seat at the Table: LGBTQ Representation in New York Politics, Exhibit at LaGuardia and Wagner Archives
Reviewed by Danica Stompor
The beating heart of Gourjon-Bieltvedt and Petrus’s exhibit is turning these testimonies into a fervent call to young people for optimism and for action…It has been far from a linear path, but for many people my age and younger, the past decades have featured an enormous increase in visibility and significant legal wins for queer people, particularly in New York. A Seat at the Table inserts us into the lives and tactics of the city’s elected officials who made these gains possible while resisting the attitude that progress is inevitable…A Seat at the Table is attuned to the small moments that transform residents into leaders.
The Rise and Fall of Protestant Brooklyn: An American Story
Reviewed by Jon Butler
Between the Civil War and 1900, "old" Brooklyn both prospered and declined. Real estate developers and the new Brooklyn Bridge swelled Brooklyn's tony neighborhoods with middling and upper-class commuters to Manhattan….The New York Times may have been condescending when it labelled Brooklyn "that moral suburb" before the Brooklyn Bridge dedication, as Blumin and Altschuler put it. But it hadn't missed the Protestants' aim.
Review: Hugh Ryan’s The Women’s House of Detention: A Queer History of a Forgotten Prison
Reviewed by Rachel Corbman
Fifty years ago, an art deco prison towered over Greenwich Village. Between the years of 1929 and 1971, tens of thousands of women and trans masculine people passed through the Women’s House of Detention, waiting for a trial or serving sentences. In The Women’s House of Detention: A Queer History of a Forgotten Prison, Hugh Ryan convincingly demonstrates why this largely forgotten prison matters to queer history. Despite Ryan’s central focus on the so-called House of D, The Women’s House of Detention does not read like an institutional history. Rather, Ryan weaves together the life histories of dozens of women and transmasculine people, following them before and after their time at the House of D.
Anti-Asian Violence and Acts of Community Care from the 1980s to the Present
Vivian Truong Interviewed by Hongdeng Gao
Today on the Blog, Gotham’s editor Hongdeng Gao speaks with Vivian Truong, author of “From State-Sanctioned Removal to the Right to the City” and a core committee member of the A/P/A Voices: A COVID-19 Public Memory Project.Truong discusses segregationist and police violence against Asian American, Black and Latinx residents in southern Brooklyn in the 1980s and 1990s and the cross-group, cross-issue movements that developed in response to such violence.
