“Our Brooklyn Correspondent”: William J. Wilson Writes the City
By Britt Rusert
William J. Wilson may very well have been New York’s first Black culture critic. A self-stylized flâneur, cultural aesthete, and frequent contributor to Black periodicals throughout the 1840s and 50s, he wrote under the name “Ethiop” and as “Brooklyn Correspondent” for Frederick Douglass’ Paper. In these columns, he provided readers across the nation with on-the-ground reports of New York’s people, places, and happenings based on his frequent “ramblings” around the city. Wilson was particularly interested in the sights and sounds of Broadway as it emerged as a hub of culture, entertainment, and conspicuous consumption in the middle of the century. Wilson would make his own contribution to the city’s cultural scene in 1859 with his publication of the Afric-American Picture Gallery, an experimental text that imagines the first museum of Black Art in the United States
Skyscraper Settlement: An Interview with Joyce Milambling
Joyce Milambling, interviewed by David Huyssen
[…] Christodora House has an amazing history, too much of which has become obscured by time and influenced by what the building has come to represent to many people. The building at 143 Avenue B deteriorated in the 1960s and 70s after the City abandoned it, making it a symbol of urban blight. Later, its 1986 conversion to condominiums associated it with conflicts over gentrification in the East Village. It took center stage in those conflicts when protesters from Tompkins Square Park broke into and vandalized the building in 1988. Although its architectural and historic value have since earned it spots on both the National Register and the State Register of Historic Places, its settlement-era history remains under-appreciated. The settlement house movement, despite its flaws, confronted social problems head-on and provided entire communities with both urgent social services and opportunities for growth and development. Christodora is an important part of that story.
Basketball was especially popular in New York City and by the turn of the century, nearly every public school were sponsoring teams. The Public Schools Athletic League (PSAL), founded in 1903, was initially a private organization whose primary function was to supervise physical education and interscholastic athletics in all New York City public schools. With about fifteen high schools throughout the city, the PSAL sponsored its first formal basketball tournament in 1905. In that inaugural championship game on March 4, 1905, DeWitt Clinton defeated Boys High in Brooklyn to lay claim to the first ever PSAL tournament champion. In other words, Clinton was crowned the first king of basketball.
Born in New York City in 1815, she [Emma Stebbins] was one of the most famous and applauded American sculptors in 1863 when she got the commission for the fountain, the first woman to be commissioned for a public artwork in New York City. But after the inauguration she retired from artistic activity and was soon forgotten. When Emma died in 1882, the New York Times did not dedicate an obituary to her, or even a news item. Only in 2019 it published an article on her for its “Overlooked” series: a posthumous tribute, atoning for the newspaper’s silence on such a remarkable artist.
Gotham’s War Within a War: Policing and the Birth of Law-and-Order Liberalism in World War II-Era New York City
Review By Douglas Flowe
This work is not only timely but reflective of growing scholarship on law enforcement that places New York City front and center; rightfully so considering how influential Gotham is in terms of law enforcement and penology. With resources like the La Guardia papers, court record books, oral histories, and NAACP papers from the Library of Congress, Brooks has crafted a major contribution to the history of the often overlooked mid-twentieth century development of America’s criminal justice system; a story that will be relevant to all students of law, urban history, criminality, and twentieth-century politics.
Free from the Stain: New York’s Free Produce Stores
By Charline Jao
American proponents of free produce saw clearly the connection between commercial consumption and the institution of slavery, seeking to overthrow what Frances Harper called slavery’s “commercial throne.” Not only did they refuse to buy items that came from southern plantations, they also sought to create new networks of trade, labor, and production. Ruggles, for instance, did not only secure “free” butter from Goshen, New York for his customers, he also employed formerly enslaved men like Samuel Ringgold Ward and Isaiah Harper Ward. Advocates of free produce set out on expeditions to find alternatives to sugar, reached out to farmers and merchants, did speaking tours in England, and opened stores where they could proudly state – as Elizabeth Kent in Pennsylvania did – that they had “EVERYTHING FOR SALE EXCEPTS PRINCIPLES!!”
An Excerpt from Making Long Island: A History of Growth and the American Dream
By Lawrence R. Samuel
Beginning in the Roaring Twenties, Wall Street money looked eastward to generate wealth from a burgeoning land boom. After the Great Depression and World War II, Long Island—Nassau and Suffolk Counties—emerged as the site of the quintessential postwar American suburb, Levittown. Levittown and its spinoff suburban communities served as a primary symbol of the American dream through affordable home ownership for the predominantly White middle class, propelling the national mythology steeped in success, financial security, upward mobility, and consumerism. Starting in the 1960s, however, the dream began to dissolve, as the postwar economic engine ran out of steam and Long Island became as much urban as suburban. Over the course of these decades, the island evolved over the decades and largely detached itself from New York City to become a self-sustaining entity with its own challenges, exclusions and triumphs.
The Eight tells the story of the Lemmon slave case, a dramatic legal battle over the freedom of eight enslaved people who were brought to New York City while sailing from Virginia to Texas, at which point New York abolitionists initiated a freedom suit on their behalf. The eight-year legal saga that followed reflected escalating political tensions over the fate of American slavery and highlighted the legal contradictions that complicated a half-slave, half-free nation.
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront
Review By Tom Greenland
Professor Cisco Bradley’s book, The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, is product of a decade-long investigation into the creative music scene(s) hovering around Brooklyn’s Williamsburg neighborhood from 1988 to 2014, documenting its ostensible rise and fall. The narrative pits struggling DIY artists against the 2005 rezoning and consequent gentrification that brought economic sea changes on the area, a battle between art and capitalism, with capitalism the clear victor.
Black Loyalists in the Evacuation of New York City, 1783
By L. Goulet and Mary Tsaltas-Ottomanelli
From 1776, the city stood as the stronghold of British operations in the thirteen colonies. The last British officials departed on November 25, ending their seven-year occupation of the city. We remember this event today as Evacuation Day. It was once a celebrated holiday but has since been largely forgotten by the public. Public commemorations primarily concentrated on the return of Patriot forces. It is crucial to move beyond the narrow focus and highlight the importance of expanding public memory to include the experiences of Loyalists who evacuated and the thousands of Black Loyalists who sought their freedom.
