In the midst of the “Roaring ‘20’s,” the Café Lafayette, in the heart of Greenwich Village, was a world apart from Staten Island’s truck farms, ocean beaches, and sleepy villages — despite being just half an hour away by ferry. If anything connects the two places — and has memorialized them—it is the work of Dawn Powell.
Police and the Empire City: Race and the Origins of Modern Policing in New York
Review By Emily Holloway
Set from the original founding of the NYPD in 1845 and concluding around the first World War, Guariglia’s book situates the NYPD as a medium of American imperial ambition and statecraft. Police and the Empire City is not merely a history of the country’s largest and most influential police department; it also positions the NYPD as a repository of scientific knowledge about race, gender, and sexuality that is mobilized and iterated to assert state authority and preserve order.
The “Puerto Rican Problem” in Postwar New York City
Review By Kenneth M. Donovan
Perhaps most significantly, the book sheds light on how ideas about Puerto Ricans and Puerto Rico itself were constructed and incorporated into public policy and popular culture. According to Meléndez, those ideas have had staying power. As the island of Puerto Rico faces ongoing challenges in the present, from crippling debt to the privatization of its electric power, it seems that, to quote Melendez, “the ‘Puerto Rican Problem’ has not disappeared. It has simply changed shape.”
The Slip: The New York City Street That Changed American Art Forever
Review By Miriam Grotte-Jacobs
Immortalized by writers like Herman Melville and Walt Whitman, the Slip dates back to the seventeenth century, a liminal site between land and water that maintained, as Peiffer argues, an altogether distinct sensibility; a place apart from the rest of Manhattan that offered artistic alternatives to its inhabitants with major consequences for the trajectory of modernism and postmodernism in the United States. A counternarrative to accounts of the New York art world that center around Cedar Tavern and Max’s Kansas City, Peiffer offers a close reading of a different New York and the artistic community it enabled.
Mobilizing the Metropolis: How the Port Authority Built New York
Review by Elizabeth M. Marcello and Gail Radford
The New York City metropolitan area boasts an impressive infrastructural network that moves people, trains, motor vehicles, freight, ships, and airplanes. At the center of this network is the Port Authority of New York and New Jersey, the subject of Philip Mark Plotch and Jen Nelles’s Mobilizing the Metropolis, which they offer as a “reflective history” of this particular agency, but also as a series of “lessons” for other agencies around the country built on the public authority model.
A Pathfinder in the Village: Buffy Sainte-Marie on Building a Career in New York’s Folk Music Revival
By Christine Kelly
Even as the Village proved a less inclusive environment than its outward appearance suggested, Buffy Sainte-Marie effectively harnessed the resources available to her as an up-and-coming artist in the heart of the national folk scene in order to craft a stage persona that resisted gender and race-based stereotypes, garner and maintain creative and commercial success, and use her popularity to raise awareness of dire needs among Indigenous communities across North America in an era of racial reckoning and social change. By making the most of her time in New York – an experience marked by the artist’s fascination with the rock and rhythm and blues shows of 1950s Brooklyn as much as the Village performances of the 1960s folk era – cultivating allies among fellow artists, and supporting Indigenous causes, Buffy Sainte-Marie charted a rare path forward as an influential artist and activist whose story paints a complex portrait of New York’s folk revival and the creative influences, cultural locations, and power brokers that shaped it.
Walkers in the City: Jewish Street Photographers of Midcentury New York
Review by Daniel Morris
In an homage to a space and time that have passed, but that remain as traces in the vivid depictions on display in this handsome and informative volume, Moore offers a love letter to photographers who looked past ideological doctrine (worker strikes and political protests are set aside) to teach viewers and to remind themselves how to regard their fellow New Yorkers with the dignity of concerned attentiveness.
Solidarity Across the Americas: The Puerto Rican Nationalist Party and Anti-Imperialism
Review By Edgardo Meléndez
For Power, Puerto Rico’s colonial status greatly undermines the honesty of America’s “Good Neighbor” policy towards Latin American countries in the 1930s. She recounts the PRNP’s continued efforts to obtain support for its cause into the 1940s and argues that it was crucial in getting important sectors in several Latin American countries to challenge US policy towards the region.
Excerpt From New York Women of Wit in the Twentieth Century
By Sabrina Fuchs Abrams
The question remains, why does women’s humor continue to be overlooked and undervalued? And why did these New York women of wit feel the need to mask their social critique through humor? The primary resistance to women’s humor goes back to false assumptions about feminine versus masculine behavior associated with the expression of intellect, aggression, and humor. Women were not supposed to “get” jokes, and they were certainly not expected to tell jokes.
Sarah Smith Tompkins Garnet: A Most Remarkable Suffragist
By Susan Goodier
Black women did not need white women to patronize, direct, organize, or financially support their efforts. They already had quite a few active suffragists, and several prominent leaders, including Sarah Garnet, and at least one organization in the city dedicated to women’s suffrage. In fact, virtually every Black women organization, established for whatever purpose—anti-lynching, racial uplift, integrated education, temperance—also supported women’s suffrage. It is the universality and intersectionality of Black women’s vision of equality and rights for women—as opposed to exclusion and limitation—that differentiates their suffrage activism from that of many white women’s organizations of the period.
