Alice Neel believed that “art is a form of history.” Born in 1900, she claimed that “I represent the 20th century… I’ve tried to capture the zeitgeist.” Yet her painting bore no resemblance to the vast canvases of iconic scenes from the French revolution by Jacques-Louis David, Anne-Louis Girodot, or Theodore Gericault. Instead, she portrayed the history of the 20th century through individual people — neighbors, friends, artists, celebrities, and political activists — that she knew in New York City, a city which might be considered the capital of the 20th-century — the successor to Paris as “the capital of the 19th-century.”
Mexican (In)Visibility: Melissa Castillo Planas's Journey Into New York's Mexican State of Mind
Reviewed by Nelson Santana
When one thinks about Mexican migrants, often what comes to mind, partly due to conservative narratives, are Mexican-descended people in the US-Mexico border states of California, Arizona, New Mexico, and Texas. However, the Mexican community — some whose ancestors lived on Mexican land prior to the Treaty of Guadalupe Hidalgo (1848) and who suddenly went from living in Mexico to living in the United States on the same land[1] — is dispersed throughout the United States with significant populations in Illinois, Washington, DC, and New York. The Mexican population in New York City is one that has been booming for quite some time.
“Working-Class New York Revisited” Conference Honors Joshua Freeman
By Marc Kagan
“I do hope that this book illuminates the possibilities for ordinary people to play a greater role in shaping their city and nation than they do today.” Joshua Freeman, Working-Class New York, 2000. New York City’s working-class had real political, economic, and social power for almost thirty years after World War II. That power, expressed primarily through private- and, increasingly, public-sector unions, made life substantially better not just for their own members, but millions of other working-class New Yorkers.
Review: Malgorzata Szejnert's Ellis Island: A People’s History
Reviewed by Sarah Litvin
Ellis Island: A People’s History, by Polish journalist Malgorzata Szejnert, tells an undulating history of the island through a chronological series of character studies and vignettes. Five sections, aptly entitled “Rising Tide,” “Flood,” “Becalmed,” “Pitch and Toss,” and “Ebb Tide” chart the rise and fall of New York’s famous immigration station that processed more than twelve million people between 1892, when it opened, and 1954, when it closed. Immigration through Ellis Island peaked in 1907, when 3,818 ships delivered more than 1.2 million people, a flood that calmed at the outbreak of WWI, and ebbed as deportations increased during the Red Scare and immigration was restricted by quotas created by the Johnson-Reed Act of 1924.
The Pornographic Archive and New York City History
Reviewed by Jeffrey Patrick Colgan
Certain significant portions of New York City’s history are indelibly linked to the production and consumption of hardcore pornography, and, conversely, the history of hardcore is without a doubt indebted to the city’s artistic, cultural, and economic history. Following the 1957 Roth v. United States ruling — which concerned New York City bookseller Samuel Roth and resulted in a narrower definition of obscenity — a series of Supreme Court decisions liberalized the production and exhibition of pornography and ushered in the so-called Golden Age of Porn. New York City was at the center of this pornographic revolution, where movies with explicit penetrative sex (aka hardcore) received wide, albeit controversial, theatrical distribution.
Friday, Bloody Friday: David Paul Kuhn's The Hardhat Riot
Reviewed by Steven H. Jaffe
David Paul Kuhn’s The Hardhat Riot: Nixon, New York City, and the Dawn of the White Working-Class Revolution focuses on May 8, 1970, a symbolic date in the exodus of such voters from the “New Deal Coalition.” On that day hundreds of blue-collar workers — many of them construction workers building the World Trade Center — converged in the streets of lower Manhattan, chanting “U—S—A. All the Way!” as they physically attacked students protesting the Vietnam War. Over one hundred students, bystanders, and others were injured in the melee on the streets.
Explaining Amelia Norman’s Murder Attempt: Julie Miller’s Cry of Murder on Broadway
Reviewed by Lindsay Keiter
On the steps of the Astor Hotel on a fall evening in 1843, Amelia Norman plunged a small knife into her former lover’s chest. Immediately apprehended, Norman’s subsequent trial for attempted murder caused a media sensation. Championed by an unlikely coalition of middle-class moral reformers, including abolitionist Lydia Maria Child, and working-class political activists, Norman’s story did not “change history.”
Review: Martin V. Melosi's Fresh Kills: A History of Consuming and Discarding in New York City
Reviewed by Simone M. Müller
Fresh Kills Landfill was a human-made structure whose scale was gigantic in every conceivable dimension. With some 400 staff on site, holding twenty different job titles, the facility covered an area of about 3,000 acres, 2200 of which were available for fill. At the peak of its operation, in the late 1980s, Fresh Kills received about 29,000 tons of New York City’s municipal solid waste on a daily basis. Until its closure in 2001, Fresh Kills functioned as the world’s largest landfill in the heart of one of the world’s megacities.
A Celebrity Orator in the Early Republic: Carolyn Eastman’s The Strange Genius of Mr. O
Reviewed by Mark Boonshoft
I have never had to worry about spoiler alerts when writing a book review. Until now. (I’ll try to confine them to the footnotes). Carolyn Eastman’s new book tells the tale of a Scottish-born, melancholic, laudanum-using celebrity who barnstormed the early-19th century United States and drew crowds to his eloquent oratorical performances. Who was this omnipresent, opium-addicted, opinionated, oracle of oratory? Mr. O, of course. The Strange Genius of Mr. O: The World of the United States’ First Forgotten Celebrity is a mesmerizing biography of an early American celebrity who, for a decade, was seemingly everywhere, and then everywhere forgotten.
The Privatized City from Below: Benjamin Holtzman’s The Long Crisis: New York City and the Path to Neoliberalism
Reviewed by Bench Ansfield
“Ford to City: Drop Dead” weighs in as one of the most legendary headlines in US history, and its notoriety likely owes to the apparent disjuncture between the New York City of the 1970s fiscal crisis and the supertall glass-scape of today.[1] These two urban archetypes, apparently worlds apart, are intimately linked, and few books have done more to shape how we conceptualize the dawning of a new metropolis than The New Urban Frontier: Gentrification and the Revanchist City, by the late geographer Neil Smith.
