Representing the Whole: An Interview with Dennis RedMoon Darkeem

Representing the Whole: An Interview with Dennis Redmoon Darkeem

Interviewed by Pilar Jefferson

One of the most thought provoking pieces to share and discuss with visitors since Urban Indian: Native New York Now opened at the Museum of the City of New York in late September has been “Flag” by Dennis Redmoon Darkeem. Hanging in the center of the north wall of the gallery, it sits a little apart from the posters and flyers around it, and the bold colors and patterns of the large rectangular work draw viewers in. The quilted fabric pieces that form the work create visually engaging aesthetic contrasts, and those same colors and patterns draw questions of deeper meaning from the viewer. Are the blue stars on a white background an inversion of the American flag? What is the source of the strip of checked green yellow orange and black fabric that cuts across the piece, bisecting it?

Interviews, Race & EthnicityGuest UserNovember 26, 2019Comment

Voices of Queensbridge: Pedagogical Overview of an Oral History Project

Adapted from writing in Voice of Queensbridge: Stories from the Nation’s Largest Public Housing Development

By Molly Rosner

In the fall of 2018, a group of LaGuardia Community College students embarked on a year-long project to document the experiences of New York City Housing Authority (NYCHA) residents. This project was funded by the Robert D. L. Gardiner Foundation. These stories were aimed at enriching the LaGuardia and Wagner Archives’ NYCHA collection, which until this project only reflected the agency’s perspective on public housing. The vastness of public housing in New York City necessitated that the students focus on one public housing project and Queensbridge Houses, the nation’s largest public housing development, were selected due to abundant documentation of the development, and its vicinity to the college.

Interviews, Housing & Realty, Contemporary EraPeter-Christian AignerOctober 3, 2019Comment

The Red Line Archive: An Interview with Walis Johnson

Interviewed by Prithi Kanakamedala

Today on the blog, editor Prithi Kanakamedala sits down with artist Walis Johnson to discuss her current work, The Red Line Archive Project, which activates conversations about the personal and political effects of redlining using her own family’s story growing up in Brooklyn.

Taking Care of Brooklyn: An Interview with Erin Wuebker

Interviewed by Katie Uva

Today on the blog, editor Katie Uva talks to Erin Wuebker, Assistant Curator of the Brooklyn Historical Society's new exhibition, Taking Care of Brooklyn: Stories of Sickness and Health. The longterm exhibition, on view until June 2022, examines 400 years of Brooklyn's history through the lens of public health.

Brooklyn, Interviews, Medicine & Public HealthGuest UserAugust 13, 2019Comment

Archiving for Access and Activism: An Interview with Interference Archive

By Emily Brooks

Interference Archive is a Brooklyn-based organization that collects and houses materials created as part of social movements. These materials, which include posters, flyers, publications, buttons, and much more, are stored and exhibited in an open stacks archival collection at 314 7th street in Park Slope. In addition to organizing and maintaining the collection, which is open to all, Interference’s volunteers also showcase the archival collections through exhibits and various community events aimed at supporting contemporary activism. This spring, I sat down with two of Interference’s volunteers, Ryan and Nora, to talk about how the space works and the role they see the archive playing in connecting social movements of the past with those of today.

This interview has been edited for clarity and length.

A Documentary History of Stonewall: An Interview with Marc Stein

Interviewed by Katie Uva

Today on the blog, we talk to Marc Stein about his new book, The Stonewall Riots: A Documentary History. In it, he compiles 200 documents that shed light on the years immediately preceding and after the events at Stonewall.

City of Workers, City of Struggle

By Andy Battle

“City of Workers, City of Struggle.” Since its founding, New York has been emphatically both. A new exhibit with this name, up at the Museum of the City of New York until January, communicates the ways in which the shape of the present city — physical, economic, social, and cultural — has been given to us by the cumulative struggles of its workers for material well-being, autonomy, and a dignified life. The main goal, according to lead curator Steven H. Jaffe, is to communicate “just how intertwined the rise of modern New York City is with working people and their movements.”

Dredging Newtown Creek: An Interview with Mitch Waxman

Interviewed by Joseph Alexiou

Writer and photographer Mitch Waxman is the leading authority on the history of Newtown Creek, a toxically polluted industrial waterway on the border between Brooklyn and Queens. In addition to his reporting and documentation, Waxman leads regular tours on land and by boat while spreading the unique stories of New York’s most centrally located contaminated coastline to the community.

The Picture the Homeless Oral History Project: Don’t Talk About Us, Talk With Us

Today on the blog, former Executive Director of Picture the Homeless Lynn Lewis speaks with Molly Rosner about her experience conducting oral history interviews as both an organizer and an oral historian. Quotes from interviewees in the project have been interspersed throughout the text.

Recovering New York’s Entangled Dutch, Native American, and African Histories: An Interview with Jennifer Tosch

By Andrea Mosterman

Many of New York’s Dutch colonists and their descendants relied on the labor of enslaved people. Some historic sites have struggled to address this part of their history and looked for ways in which they can share it with their visitors. For example, an exhibit at the Old Stone House in Brooklyn, built in 1699 by Hendrick Claessen Vechte, includes a brief discussion of the home’s enslaved residents. Yet, much of the Dutch history of slavery in New York City and its surroundings is still little known, especially among the general public.