From 1899 to 1914, people around the world gave over 12,000 animals to the New York Zoological Park in the Bronx (almost 5,000 of them were snakes). Donations to the zoo fulfilled two purposes: they supplied the zoological park with more animals, and, perhaps more importantly, helped the zoo form a relationship with certain communities around them. This project is a focused look at a section of these animal donors, the people of New York City.
Prehistoric and Ahead of Her Time: Sapphasaura at the Museum of Natural History
By Rachel Pitkin
In the summer of 1973, members of the newly formed Lesbian Feminist Liberation (LFL) group were engaged in a unique construction project in the Upper West Side backyard of one of its members, Robin Lutsky. A physically onerous labor of love, the project unfolded over ten days of round-the-clock attention, a last-ditch protest effort to gain the attention of one of New York’s most celebrated yet controversial institutions: the American Museum of Natural History (AMNH).
Stages, Streets, and Screens: The Geography of NYC Dance in the 1960s-1970s “Dance Boom”
By Emily Hawk
In the early 1970s, New Yorkers could see concert dance performances at Lincoln Center as well as in the open-air splendor of Central Park’s Delacorte Theater. Crowds could gather in Harlem to catch the DanceMobile, and families could turn on their television sets to watch evening-length concerts on PBS. The prevalence of dance throughout and beyond the city resulted from the “dance boom” in the previous decade.
Imitation Artist: An Interview with Sunny Stalter-Pace
Interviewed by Katie Uva
Today on the blog, Katie Uva talks to Sunny Stalter-Pace, author of the recently published Imitation Artist: Gertrude Hoffmann’s Life in Vaudeville and Dance. The book examines the life and times of Gertrude Hoffmann, an early 20th century dancer and choreographer whose career highlights the intersections of high and low culture in the performing arts of that era.
Monuments of Colonial New York: George III and Liberty Poles
Wendy Bellion and Shira Lurie
For the last installment in our six-part series on monuments in / about colonial Gotham, Wendy Bellion and Shira Lurie discuss NYC’s rebellion against British rule during the volatile decade before the War for Independence. Bellion begins with a story of destruction — the tearing down of the statue of George III in Bowling Green. Lurie tells of construction — the raising of five liberty poles on the Common (present day City Hall Park).
Monuments of Colonial New York: The Tulip Tree and 'Signal'
Lisa Blee and John C. Winters
This week Gotham presents a six-part series on monuments, statues, and commemorations in / about colonial New York City. Recognizing that one of the more recent debates over public memory has been the conflict over Columbus / Indigenous People’s Day, we begin with Lisa Blee and John C. Winters, who examine monuments of and by Native peoples in Manhattan.
“Eternal Vigilance is the Price of Liberty”: Resistance to Segregated Seating in New York City’s Theaters
By Alyssa Lopez
In 1924, Walter White, the assistant secretary of the National Association for the Advancement of Colored People (NAACP), sent a letter of warning to several New York City-based black newspapers. “There have been... numerous complaints regarding the denial to colored people,” he explained, “of service in various places of public accommodations,” especially theaters on 125th Street, Harlem’s main thoroughfare.
Few individuals are more closely associated with the development of 20th century American music than lyricist and songwriter Irving Berlin. From the early 1910s, when he was first launched into the stratosphere by era-defining pieces like “Alexander’s Ragtime Band,” until the late 1950s, when his success finally dried up, Berlin remained at the forefront of the nation’s burgeoning music industry.
On a summer evening in June 1945, 200 performers took to the aquatic stage at the former New York State Pavilion at Flushing Meadow Park. Spread throughout the 8,500 seats at the northern tip of Meadow Lake, spectators watched swimmers and a choreographed “water ballet” fill the pool, while divers sprung from the diving towers at each end.
Christopher Bonanos Interviewed by Robert W. Snyder
In the middle of the 20th century, a newspaper photographer who went by the name of Weegee took memorable pictures of New York City’s street life that appeared everywhere from tabloid newspapers to seminars on the history of photography.
