Everybody’s Doin’it: Sex, Music and Dance in New York, 1840-1917
Reviewed by Jeffrey Escoffier
Dirty Dancing, the 1987 movie starring Patrick Swayze and Jennifer Grey, exploited a common cultural trope: the intimate connection many people feel between dancing and sex. It portrayed a couple whose dancing was explicitly sexual, who came from different social classes and who at the same time were falling in love. For many of its viewers, it presented a very romantic vision of the connection between sex and dancing. Dale Cockrell’s Everybody’s Doin’it: Sex, Music and Dance in New York, 1840-1917 (New York: W.W. Norton & Co. 2019) sets out to explore a more historical account of the interrelationship between popular music, social dancing and sexuality in nineteenth- and early twentieth-century America. As he shows, the making of popular music during the nineteenth-century often took place in bars, brothels and dance halls where prostitution was endemic. Social dancing was one of the ways that sex and music are linked.
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