A Sound as International as the City Itself: A Review of Benjamin Lapidus' New York and the International Sound of Latin Music, 1940-1990
Reviewed by Matthew Pessar Joseph
New York and the International Sound of Latin Music boasts an ambitious title. Yet Benjamin Lapidus’s history of Spanish Caribbean music in Gotham does not disappoint. By exploring overlooked Cuban, Puerto Rican, Panamanian, and Jewish performers, dancers, music teachers, and instrument builders, the author shows how between 1940 and 1990 New York served as a transnational mecca for Latinx music.
A Social History of Creative Work: Shannan Clark’s The Making of the American Creative Class
Reviewed by Emily Holloway
Shannan Clark’s The Making of the American Creative Class is, at first gloss, a rigorously detailed labor history of a particular subset of white-collar workers in the 20th century. Clark’s deliberately narrow sectoral focus — industrial design, print media, and advertising — also incorporates the complexities of cultural production under specific intellectual and political conditions. Rich with a detailed accounting of both the internal political strife within white-collar unions and the pervasive anticommunist anxiety of postwar America, Clark recovers a set of significant accomplishments among white-collar labor activists in mass culture.
The stories in Joseph P. Alessi’s Settling the Frontier are familiar ones. Europeans, drawn by Native trade networks, voyaged to North American ill-prepared for survival. Without Native American assistance, most of these European traders would not have survived let alone established permanent settlements. Alessi delves more deeply into these stories, and claims that the foundation for European settlement in North American began before Europeans ever arrived.
Everyday Politics are Everywhere in Arab New York: Emily Wills' Ethnography of a Community Under Pressure
Reviewed by Todd Fine
The defeat of Donald Trump promises the imminent end of the “Muslim ban” targeting people from several Arab countries, yet the challenges facing Muslim and Arab communities in the United States will surely continue. In the recent book Arab New York, University of Ottawa political scientist Emily Regan Wills seeks to depict how Arab communities in New York City, whose lives are greatly shaped by external politics, engage in politics themselves.
Dismantling Jim Crow from the Stage: A Review of The Civil Rights Theatre Movement in New York, 1939-1966
Reviewed by Madeline Steiner
Back in the olden days, before the global spread of COVID-19, when we could freely attend live theatre, I was fortunate enough to see the 2011 revival of Alice Childress’s play Trouble in Mind at Arena Stage in Washington, DC. Written in 1955, the play, a metatheatrical commentary on Black civil rights, contains a complex message about racial representation, whites’ complicity in upholding racist institutions, and a critique of civil rights plays from earlier in the 20th century. Over half a century after it was written, the play is still quite stirring and its civil rights message feels unfortunately just as relevant now as at the time of its writing.
Have you recently trekked to a farmers’ market for fresh produce? In this lockdown year, do you miss attending concerts at Carnegie Hall? A Broadway show? Have you enjoyed roaming through the romantic landscape of Central Park, or wandered the streets of the city’s historic districts? Do you go out of your way to experience the inspiring urban spaces of Grand Central Terminal? Are you invigorated when you head west to the Hudson River Park and marvel at the river’s recovery?
New York and the Death of the Atlantic Slave Trade
Reviewed by Samantha Payne
John Harris’s The Last Slave Ships: New York City and the End of the Middle Passage reveals how and why the long survival of the slave trade in the United States was related to the politics of slavery across the Atlantic World. During the first half of the 19th century, more than seventy-five percent of enslaved Africans transported to the New World arrived in Brazil. In 1850, Brazil abolished the slave trade — an act which, Harris argues, transformed the inner workings of the illegal traffic in the United States.
New York: Where the Rich Get Richer and the Poor Get… Art?
Reviewed by Alexis Monroe
The class divisions inherent in the New York art world which Rachel Klein deftly identifies in her book are all too persistent today. Art Wars: The Politics of Taste in Nineteenth Century New York promises a history of taste fundamentally informed by class tensions and sectional strife. Klein crafts this history around three case studies, which she sees as defining events in the 19th-century art world: the collapse of the American Art-Union in 1852, the controversy in the mid-1880s around the Cesnola collection at the Metropolitan Museum of Art, and the push in the mid-1880s to open the Met on Sundays.
Clifford Mason’s Macbeth in Harlem traces how African-American theater artists shaped theater in the United States, beginning in the early 19th century and ending in the mid-20th century. Mason reveals how events gave rise to different Black performers and movements, beginning with Harlem’s particular contributions to Broadway and concluding with a discussion of the post-World War II conditions that gave rise to Lorraine Hansberry’s 1959 play A Raisin in The Sun.
American Capitalism: New Histories, edited by Sven Beckert and Christine Desan, encapsulates the diverse, expansive historical work that has come to define the NHC in the decade since it first burst onto the historiographical scene in the wake of the 2007 financial crisis. In their brisk introduction to the volume, Beckert and Desan sketch the intellectual genealogies of NHC scholarship and lay out its program in broad strokes, necessary given the wide variety of scholarship brought together in American Capitalism.
