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Who is the Village For? the troubled history of the Northern Dispensary

Who is the Village For? The Troubled History of the Northern Dispensary

By Salonee Bhaman

The dusty red brick façade of the Northern Dispensary sports a hand-lettered sign, a throwback to a bygone era. Built in a neo-Georgian style, the triangular, three-story building occupies the entirety of its oddly shaped, now-trendy West Village block bound by Christopher Street, Grove Street, and on two sides by Waverly Place. Remarkably, given its bustling and costly surroundings, the Dispensary is empty—a shell observing a city in constant flux. Underwritten by a mixture of public and private funds, the building and the land it sits on fall under a restrictive deed requiring that the premises serve the poor and infirm. Just what that requirement means has become a question determining much of the Dispensary’s fate over the twentieth century.

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Documenting the City: A Research Project Inspired by the Journalism of Edith Evans Asbury

Documenting the City: A Research Project Inspired by the Journalism of Edith Evans Asbury

By Molly Rosner

On November 20th, 2019 more than 100 people attended the celebration of the release of a book of student work at LaGuardia Community College. The book, Documenting the City: Journalism Inspired by Edith Evans Asbury, is comprised of essays and photographs by students and faculty who worked for a full year on a research-based project funded by the Robert David Lion Gardiner Foundation focused on introducing students to history and historical research practices.[1] The group is called the Gardiner-Shenker Student Scholars, in which students take on assignments outside of their classroom work and receive individualized mentoring and payment for their participation. The students have demonstrated a deep commitment to the program and produced rich materials ranging from photography to writing, to podcasting and video projects. Most importantly, though, through publication, presentations, and fieldwork the students learned that archival work is vitally important to understanding the world around them and can help them participate in the life of the city in new and profound ways.

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Iconoclasm in New York: Revolution to Reenactment

Iconoclasm in New York: Revolution to Reenactment

Reviewed by Benjamin L. Carp

New York is a city of destruction. What doesn’t burn by accident, somebody tears down on purpose. When Chip asks Hildy to take him to the Hippodrome in Leonard Bernstein’s On the Town, she replies, “It ain’t there anymore,” which might as well be the city’s motto. Nothing is too sacred to shatter. Nothing is too exalted to escape the city’s brutal contests over money and power.

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Managing Urban Disorder in the 1960s: The New York City Model

Managing Urban Disorder in the 1960s: The New York City Model

By Jarrod Shanahan and Zhandarka Kurti

Surveying hundreds of urban riots throughout the 1960s, the National Advisory Commission on Civil Disorders, commonly known as the Kerner Commission, used strident language to capture how “white racism” underlay the grievances of rioters and called for a commitment to the War on Poverty as a remedy to urban unrest. Yet far less scholarly attention is paid to the commission’s emphasis on counterinsurgency mechanisms—locally-specific, quasi-military strategies for pacifying unrest by politicking and/or force—geared toward managing disorder amid a deepening state of political and economic crisis. An early example of crisis planning in New York City immediately following the recommendations of the Kerner Commission Report demonstrates that at the local level, counterinsurgency relied heavily on the partnership with agents of what is today called the non-profit industrial complex (NPIC), a nexus of private philanthropic organizations constituting a mediating “buffer” between capital and the working class, while channeling social movement energy away from radical change and into piecemeal, pro-market reform.

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Saving America's Cities: Ed Logue and the Struggle to Renew Urban America in the Suburban Age

Saving America's Cities: Ed Logue and the Struggle to Renew Urban America in the Suburban Age

Reviewed by Daniel Cumming

In the pantheon of towering urban developers in the post-WWII era, few figures have shaped our collective consciousness more than Robert Moses and Jane Jacobs. Whether you read Robert Caro’s The Powerbroker or Jacob’s The Death and Life of Great American Cities, whether you lived in the freeway path cleaved for the Cross Bronx Expressway or kept “eyes on the street” in Greenwich Village, most New Yorkers have been in some way exposed to the competing ideologies overpower and place embodied by Moses and Jacobs. You may have even picked a side in the morality tale that has become standard fare in accounts of urban renewal.

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Rob Snyder becomes Manhattan Borough Historian

Rob Snyder becomes Manhattan Borough Historian

By Molly Rosner

On December 3, 2019, as a student jazz trio from LaGuardia High School for the Performing Arts played in the background, a group of local historians gathered at the New York Fire Museum to celebrate the appointment of Dr. Robert Snyder to Manhattan Borough Historian. The crowd – many of whom had worked together at different colleges and museums around the city – drank the signature cocktail, (appropriately a Manhattan) and examined the display of old fire trucks, art works, and Tiffany silver on display at the museum. The position of Borough Historian is an unpaid volunteer role first assigned under Borough President Robert Wagner in 1950.

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Remembering the Activism Campaign that Made Samuel Battle the First Black NYPD Officer

Remembering the Activism Campaign that Made Samuel Battle the First Black NYPD Officer

By Matthew Guariglia

Dedicated in 2009, Samuel Battle Plaza, at the sprawling intersection at 135th Street and Lenox Avenue, commemorates Samuel Jesse Battle who, in 1911, became the first African American appointed to the NYPD. Presided over by embattled NYPD Commissioner Ray Kelly, the dedication came near the height of the protest movement against the department’s disproportionate stopping and frisking of young men of color in the city. At a moment of mass community resistance to Kelly’s NYPD, renaming served a political purpose. Creating a visible landmark to Samuel Battle at that pivotal moment preserved a narrative of symbiosis between the people of Harlem and the NYPD.

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Mapping a Queer New York: An Interview with Jen Jack Gieseking

Mapping a Queer New York: An Interview with Jen Jack Gieseking

Interviewed by Katie Uva

Today on the blog, Katie Uva interviews Jen Jack Gieseking about their mapping project, An Everyday Queer New York, a companion project to his book A Queer New York: Geographies of Lesbians, Dykes, and Queers, forthcoming in 2020. Jack discusses the challenges and opportunities in mapping as a way of understanding lesbian, gay, bisexual, trans, and queer (LGBTQ+) history in general, and the history of queer women and trans and gender non-conforming people (tgncp) in particular.

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“Just Between Ourselves, Girls”: Rose Pastor Stokes and the American Yiddish Press

“Just Between Ourselves, Girls”: Rose Pastor Stokes and the American Yiddish Press

By Ayelet Brinn

n 1918, socialist agitator and women’s rights activist Rose Pastor Stokes (1879-1933) was tried and convicted of espionage after making public comments criticizing America’s involvement in World War I. After an anti-war speech in Kansas City, Stokes had published a letter in the Kansas City Star criticizing the American government for aligning with war profiteers to the detriment of the American people: “No government which is for the profiteers can also be for the people, while the government is for the profiteers.”

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