Desire & Documentary in the Photography of Alvin Baltrop
By Jeffrey Patrick Colgan and Jeffrey Escoffier
Documentary photography in New York City has a long history, going back to Jacob Riis in the 1880s and Lewis Hine in the early twentieth-century with their documentation of poverty and slums. During the 1930s and 40s, Weegee covered the criminal underworld and the world of high society for the tabloids, while Helen Levitt shot scenes of the everyday life of housewives, children and working men. In the 1950s and 60s, Roy de Carava, Garry Winogrand, Fred McDarrah and Nan Goldin managed to capture both the grit and the glamour of New York’s post-war period. By the seventies, however, the glamour was gone, though the grit remained, as New York was overtaken by its industrial collapse and fiscal woes.
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