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AN AFTERNOON AT BLACKWELL’S LIGHT — BY MICHAEL NICHOLS

An Afternoon at Blackwell’s Light
By Michael Nichols

Michael Nichols lives in Manhattan, works in Jersey City, and is an avid city wanderer and collector of historical names, lore, facts, relics, documents, souvenirs, and ruins.  His project is to find in these bits and particulars their place in the historical landscape.

Dedicated to Thomas Maxey, a true isolato–if he even existed.

Island of Many Names

Call it Varkens Eylandt–Hog Island–for the hogs that were pastured here.

Call it Paradise Island. When the Blackwells took it over in 1686, the whole of it was theirs and theirs alone.

Call it Asylum Island—it’s only a few hundred feet from shore on either side, but that’s still a long distance to swim in a swift current, even for the robust, never mind the sick, the old, the diseased, the destitute, the insane, the accursed.

Call it Penitentiary Island.

Call it Theatre of Cruelty Island, for the reporters who came to expose the barbaric conditions and the day-trippers who came to heap sympathy. Or Melancholy Island, for the infirm gazing at the black water and their attendants gabbing into cell phones.

Call it Welfare Island.

Call it First Family Island, or Patroon Island, for the great Dutch name of city, state and nation, Roosevelt, whether Nicholas, Theodore, Alice Longworth, or Franklin Delano or Eleanor or the both of them, or maybe all of them.

Islands are natural quarantines, hard to get to and hard to get off, so it was natural that the islands of the East River would find their purpose as a repository for those who would not or could not learn to live in public. Give me your tired, your poor… the country air will do them some good. Blackwell’s Island, the long and narrow outcropping of rock bisecting the river just below Hell Gate, gained its history as being just such a place apart. Especially attractive were the island’s base of gray gneiss and the fact of a captive labor pool of inmates, whom the city pressed into service to build the workhouses, prisons, almshouses, and asylums that housed them. The first in the long line of isolatos to be exiled here was Captain John Manning, who owned the island at the time and whose misfortune it was to be serving as a provisional governor of New York during that fractured period when England and Holland were exchanging the colony back and forth like a ping-pong ball. On one volley, in 1673, the English ceded to Dutch after nine years of rule, and though there wasn’t a blessed thing Manning could do about it, blame focused on him as it was he who was in charge. After a court-martial, Manning’s own sword was broken over his head at a ceremony at City Hall and he thence retreated to his island. But Manning eventually salved his isolation. In the best of New York traditions, he threw parties, entertaining his friends with bowls of rum punch. Manning’s daughter married a man named Robert Blackwell and the island thereafter changed hands, and soon the name of its new owner caught on, Blackwell’s, in the possessive.

The Lighthouse

The lighthouse stands at the northern tip of Roosevelt Island Designed by James Renwick and built in 1872, the lighthouse is 50 feet tall with an octagonal shaft, and built of hewn blocks of gneiss in Gothic style. It is an imposing structure. City planning has since created a circular plaza around it and bulwarked the plaza with low seawalls and rip-rap. The whole of this looks like a ship’s prow: the seawalls are the bulwarks, the river on three sides is the sea. At the bulwarks are fishermen who have cast their lines and now sit for hours on end and wait. They are trying for bluefish and bass. These are top-feeders and so, it is said, are not dangerous to eat, as the surface water is ocean water owing to the constant ebbing and flooding of the river. The fishermen are a mute bunch. None seems to know any of the others, and each has his place along the bulwark.

Melville, Moby Dick: Isolatoes too, I call such, not acknowledging the common continent of men, but each Isolato living on a separate continent of his own. Yet now, federated along one keel…

He was speaking of the harpooners aboard the Pequod and what he meant by isolato was a man of skill and workmanship, loyal to those skills and not necessarily to any captain.

Legend: Fort Maxey

Within Fort Maxey, Harper’s New Monthly Magazine, February, 1866

Beneath the lighthouse and its plaza is a cluster of rocks, on old maps called the Bread and Cheese Rocks, which until a century or so ago stood off the tip of the island by several yards. Legend has it that before the lighthouse was built the outcropping was the site of a small fort and house belonging to the fort’s builder and who thereafter became the de facto caretaker of the property. To build the fort, the builder used materials found nearby and which were common on the island: clay, rock, dirt, and tall grasses. To get the materials to construction site on the outcropping, the builder faced an engineering challenge: the watery gap between island and outcropping. He solved his problem by creating a landfill using the clay, till, and rock. The power to accomplish all this work was supplied by the builder’s own brute strength and intelligence, working alone and by his own hand. It took determination, imagination, and time. Time was something he had in spades, as he was an inmate at the Lunatic Asylum, located just down the road apiece from the fort. His name was Thomas Maxey.

What we know of the legend of Maxey and his fort comes from the pen of W. H. Davenport, who re-visited Blackwell’s Island as a reporter–he claimed to have once been a patient there–and who wrote of his sojourn for Harper’s New Monthly Magazine in February, 1866. Escorted by commissioners and doctors, Davenport met a variety of grotesques who made good copy, including one who imagined herself to be a steam boiler, another who believed she was the wife of President Buchanan, and a “jolly, clever darkey,” Black Jimmy, fisherman, who furnishes the resident physician’s table a “fine mess of black-fish, bass, and eels.” But Davenport saves the best till last, a visit with Maxey at his impossible fort, and the small house in its midst. Though it is only twelve by eight feet, it is commodious enough to contain two sleeping compartments, a sitting room and a kitchen. With its garden of overgrown hollyhocks and sunflowers and the causeway that leads to a huge stone gate, the place today would be an example of “outsider art,” the art of the unschooled, the undisciplined, or the insane, and almost always vivid, ingenious, and strange. But it was home. Its real purpose, though, was to serve as the city’s defensive battery against an imminent invasion by rebel privateers or possibly the British. (Presumably Maxey is Irish, and fighting the long war.) Thus the reason for the leftover Civil War cannon that Maxey procured, possibly from the gardai.

Luckily, Maxey is there to greet the commissioner and his guests, though in no time the brief interview descends into a Rabelaisian burlesque, at Maxey’s expense of course.

“Ladies and gentlemen, allow me to present to you Mr. Thomas Maxey. These distinguished guests of the Commissioners, Sir, have admired all your workmanship that they have seen, but desire you will favor them with deeper insight into your domain.”

“Yes, yes, it isn’t done yet; when the magazine and other improvements are finished, then–”

“It is a wonderful performance, Mr. Maxey.”

“Yes, it will be valuable to Government, no doubt of it; but my gains are small. Is this a good bill?” He exhibits an undeniable five-dollar greenback.

“First-rate!”

“Dr. —–’s son gave it to me. Many gentlemen pay me well for my trouble in showing the improvements.”

“Why, yes, your pocket-book seems bursting.”

“Oh it’s not all money. I wish to keep some root-beer and ginger-bread for visitors; but it is hard to get them.”

“Ah, this is the house. May we go in?”

“Certainly.” And he pushes open the door. We enter one at a time, the building will not hold more than three (and they knock one against the other), so filled is it with woodwork and the masonry of an oven. The furniture consists of the refuse of the Institution. The proprietor is sorry he has nothing to offer us.

“By-the-by, Mr. Maxey, you have not yet given me the solution of that problem I once proposed to you.”

“What problem?”

I enunciate the old college question for debate: “Can a Chimera, ruminating in vacuum, disseminate second intentions?”

Mr. M. looks puzzled: “I hardly understand, Sir.”

“Pshaw! a man of your intellect! It is plain enough.”

I repeat the formula, emphasizing each word.

“Well, Sir, it is doubtful if Apollo and the Nine Muses ever sowed seeds in Uruguay. The moon and the stars now revolve in their orbits; electricity and the printing-machine have worked wonders, but –”

“Do you think, Sir,” I seriously ask, “that Briareus has any thing to do with it?”

“Brirus? Well, it is perhaps probable. What did you say–the Crimea?”

“Yes.”

“Diana and mythology.”

“Pshaw! Mr. Maxey, you’re a man of genius; but you can’t have carefully studied the question I propounded. You are straying from it. Hadn’t you better think it over?”

Tom’s jaw hangs in a vacant expression as he replies: “Perhaps I had. My larnin’, Sir, may not be equal to yours, but–”

“Of course you’ll master it; and now good-day, Sir.”

Before taking his leave of the island though, the author is distracted by something else: the sight of Black Jimmy on the dock, “busy at his piscatorial occupation,” and he stops to make a sketch.

Ruminating

Some excitement from a row of fisherman: Hold onto it, yells one to another. A fisherman lifts his line out of the water and at its end is a large bluefish flapping its body wildly to free itself of the hook in its mouth. The fisherman lifts him over the seawall and begins to extract the hook. He retrieves a length of line but no hook. Then he sticks his hand through a gill opening it wide enough so that one can see daylight on the other side. What appears to be blood, copious streams of it, drip down the side of the fish. The fisherman drops it on the slabs of the walk and then he takes residence in his beach chair parked in the shade of the lighthouse. The fish flaps its tail, lies still, then minutes later flaps again. Then the end, the fish’s small pectoral fin extending vertically in what appears to be a kind of rigor mortis. Not ten minutes has passed. Death comes quickly, at least to those not going through it. Later, the fisherman carries it away by its tail and returns without it. A half-hour later, other fisherman are still talking about the guy up there who caught a blue. It was about two feet long, maybe longer. Later still, at a picnic on the lawn, a family munches a fresh catch, just grilled, gingerly lifting the soft meat off paper plates.

One imagines Maxey fishing for his supper from this spot, maybe the jolly Black Jimmy nearby, their solitude regained, and Maxey certain of two things: that a man is his own empire and that his fortress could withstand an invasion whether by the British or officials from the city of New York.

END

Sources:

W. H. Davenport, “Blackwell’s Island Lunatic Asylum,” Harper’s New Monthly Magazine, Feb 1866, Vol 32, No 189

Making of America, Cornell University Library, http://dlxs2.library.cornell.edu/m/moa/

John Romeyn Brodhead, History of the State of New York, Vol. 2 (New York: Harper and Brothers, 1871)

Roosevelt Island Historical Society, “Lighthouse”

http://www.rihs.us/landmarks/lighthouse.htm

NYC Dept of Corrections, “The Islands of Correction” http://www.correctionhistory.org/html/chronicl/nycdoc/html/nycdoc.htm#islands

Edwin G. Burrows and Mike Wallace, Gotham: A History of New York City to 1898 (New York: Oxford University Press, 1999)

Herman Melville, Moby Dick